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	<title>Adhocracy &#187; New Technologies</title>
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	<link>http://adhocracy.athens.sgt.gr</link>
	<description>Adhocracy Athens — From Making Things to Making the Commons</description>
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		<title>Opendesk</title>
		<link>http://adhocracy.athens.sgt.gr/greek-opendesk/</link>
		<comments>http://adhocracy.athens.sgt.gr/greek-opendesk/#comments</comments>
		<pubDate>Wed, 15 Apr 2015 16:23:49 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[DIY—DIWO]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=1270</guid>
		<description><![CDATA[Opendesk is a global platform for local making. It gathers a global network of makers and a collection of furniture by a range of international designers. Because that furniture is designed for digital fabrication, it can be downloaded as a digital file and made locally—on demand, anywhere in the world. The “Edie” stools used in [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Opendesk is a global platform for local making. It gathers a global network of makers and a collection of furniture by a range of international designers. Because that furniture is designed for digital fabrication, it can be downloaded as a digital file and made locally—on demand, anywhere in the world. The “Edie” stools used in this exhibition were designed by David and Joni Steiner and fabricated using this “open-making” process. If Enzo Mari were a hacker, he would also design furniture as software.</p>
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		<title>The Liberator 3D Printer Gun</title>
		<link>http://adhocracy.athens.sgt.gr/the-liberator-3d-printer-gun/</link>
		<comments>http://adhocracy.athens.sgt.gr/the-liberator-3d-printer-gun/#comments</comments>
		<pubDate>Wed, 15 Apr 2015 09:57:43 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[DIY—DIWO]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=1141</guid>
		<description><![CDATA[Defense Distributed is an online, open-source organization that collaboratively produce, publish, and distribute to the public, without charge, information and knowledge related to the digital manufacture of arms. On May 5, 2013, DD released the files for The Liberator pistol as result of the Wiki Weapon Project. This release was met by a flurry of [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Defense Distributed is an online, open-source organization that collaboratively produce, publish, and distribute to the public, without charge, information and knowledge related to the digital manufacture of arms. On May 5, 2013, DD released the files for The Liberator pistol as result of the Wiki Weapon Project. This release was met by a flurry of US governmental censures and investigations. Its 21st century, and in some countries you have the right to buy a gun, but you’re not free to make it by yourself. Is it ethics, security or pure economics?</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Ad-hoc Machine</title>
		<link>http://adhocracy.athens.sgt.gr/the-ad-hoc-machine/</link>
		<comments>http://adhocracy.athens.sgt.gr/the-ad-hoc-machine/#comments</comments>
		<pubDate>Wed, 15 Apr 2015 09:56:51 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[Fun]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=1138</guid>
		<description><![CDATA[The Ad-hoc Machine disassembles and recombines the components of an industrial CD pressing machine, transforming their function from data transfer to live sound creation. Analogously, audio software has been adapted to trigger the physical motion of the various components in a chance-based way. The final creation thus cannibalizes the apparatus of manufacture to give birth [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>The Ad-hoc Machine disassembles and recombines the components of an industrial CD pressing machine, transforming their function from data transfer to live sound creation. Analogously, audio software has been adapted to trigger the physical motion of the various components in a chance-based way. The final creation thus cannibalizes the apparatus of manufacture to give birth to a system open to evolution and experimentation. Join and experience the sound of evolving automata.</p>
]]></content:encoded>
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		<item>
		<title>Emancipati</title>
		<link>http://adhocracy.athens.sgt.gr/emancipati/</link>
		<comments>http://adhocracy.athens.sgt.gr/emancipati/#comments</comments>
		<pubDate>Wed, 15 Apr 2015 09:48:24 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=1119</guid>
		<description><![CDATA[The Emancipati Ensemble is a discursive reading instrument that addresses the needs of progressive religious practitioners who are willing to adopt new styles of learning to diversify their sources of knowledge. The instrument not only intends to assure that the subject is studied in a hyper-linked, socially-networked, and distributed form meshed with data, images, and [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>The Emancipati Ensemble is a discursive reading instrument that addresses the needs of progressive religious practitioners who are willing to adopt new styles of learning to diversify their sources of knowledge. The instrument not only intends to assure that the subject is studied in a hyper-linked, socially-networked, and distributed form meshed with data, images, and sound, but that the subject is also presented with opposing arguments that are prepared with custom filtering and content-matching software.</p>
]]></content:encoded>
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		<title>Ethical Things</title>
		<link>http://adhocracy.athens.sgt.gr/320/</link>
		<comments>http://adhocracy.athens.sgt.gr/320/#comments</comments>
		<pubDate>Wed, 01 Apr 2015 15:23:04 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=320</guid>
		<description><![CDATA[It’s part of the greater dream of progress to incrementally unload burdens of our daily lives to more autonomous and smart objects. However the more information we feed them the more complex is to take decisions. If a &#8220;smart&#8221; coffee machine knows about its user&#8217;s heart problems, should it accept giving him a coffee when [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>It’s part of the greater dream of progress to incrementally unload burdens of our daily lives to more autonomous and smart objects. However the more information we feed them the more complex is to take decisions.</p>
<p>If a &#8220;smart&#8221; coffee machine knows about its user&#8217;s heart problems, should it accept giving him a coffee when he requests one? The system will be designed to take into account certain inputs, to process a &#8216;certain&#8217; type of information under a &#8216;certain&#8217; kind of logic. How are these &#8220;certainties&#8221; defined, and by whom? How are these autonomous systems going to be able to solve problems without objective answers? And, moreover, as the nature of ethics is very subjective, how will machines be able to deal with the variety of profiles, beliefs, and cultures?</p>
<p>The Ethical Things project looks at how a very mundane object like a fan, might face complex dilemmas, and can source answers and determine its behaviour by asking to crowdsourced workers. Rather than focusing on creating complex and possibly erroneous algorithmic smartness, we outsource the choice to people and allow users to set the ethical parameters chosen to find the right remote “Ethical Agent”.</p>
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		<item>
		<title>Open Source Architecture Manifesto</title>
		<link>http://adhocracy.athens.sgt.gr/osarc/</link>
		<comments>http://adhocracy.athens.sgt.gr/osarc/#comments</comments>
		<pubDate>Wed, 01 Apr 2015 15:07:11 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=314</guid>
		<description><![CDATA[The Vertical Plotter is a small device travelling on a vertical surface. It&#8217;s interactive software allows the real time reproduction of any kind of data and feeds: notes, messages, pictures, graphics. Once received the digital information, the plotter immediately turns it into reality. The aim of the project is to produce a device able to [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>The Vertical Plotter is a small device travelling on a vertical surface. It&#8217;s interactive software allows the real time reproduction of any kind of data and feeds: notes, messages, pictures, graphics. Once received the digital information, the plotter immediately turns it into reality. The aim of the project is to produce a device able to transform any surface into a huge monitor, allowing people to create artworks or memoranda on every surface of their houses and workplaces. Starting from the experience gained on previous models, CRA designed a plotter able to cover large surfaces and to offer the maximum variety of different graphical outputs. Based on a lasercut transparent chassis, the design of the Vertical Plotter has sought to minimize the number of components and simplify as much as possible its assembly and use. Having all the mechanics on board, what is needed to be done externally is solely attaching the cables on the ceiling on both ends. The use of Processing for the generation of content and framework makes the plotter user-friendly, allowing the transformation of any physical surface into a live layer displaying customised data.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>FabAthens</title>
		<link>http://adhocracy.athens.sgt.gr/fabathens-fabricating-the-city-through-an-adhoc-platform/</link>
		<comments>http://adhocracy.athens.sgt.gr/fabathens-fabricating-the-city-through-an-adhoc-platform/#comments</comments>
		<pubDate>Tue, 31 Mar 2015 10:14:05 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[DIY—DIWO]]></category>
		<category><![CDATA[New Technologies]]></category>
		<category><![CDATA[Urban and Social]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=183</guid>
		<description><![CDATA[Fabricating the City through an AdHoc Platform FabAthens is a platform for developing ad hoc city interventions in a continuous urban transformation. FabAthens is a productive and shareable by the citizens’ platform. It uses Urban Innovation Ecosystems as a tool and refers to Adhoc Tinguely&#8217;s NTUA workshops / courses for a modelization of its &#8220;from [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>Fabricating the City through an AdHoc Platform</strong></p>
<p>FabAthens is a platform for developing ad hoc city interventions in a continuous urban transformation. FabAthens is a productive and shareable by the citizens’ platform. It uses Urban Innovation Ecosystems as a tool and refers to Adhoc Tinguely&#8217;s NTUA workshops / courses for a modelization of its &#8220;from meta-mechanics to post-digital” dimension (https://metamechpostdigital.wordpress.com). It relates to the ad hoc conceived courses, as being the modelization of its “post-digital” dimension. </p>
<p>Urban Innovation Ecosystmems comprise localized small-scale innovations distributed in the urban field, which through their interconnection, accelerate strategies related to a Senseable, Creative, Productive contemporary city. The aspect of urban production is central in the research roadmap, rendering the transformation of Athens into a FAB CITY as an ultimate goal. Senseable City is equipped with intelligent systems, in order to collect urban data in real time, allowing open access for all users. Large sensor networks provide critical information about natural and built environment. Creative City promotes new types of synergies among users, local institutions, academia and businesses (4P: public-private-people partnership), aiming at innovation and knowledge creation. Productive City is a network of interconnected small-scale producers, applying open fabrication with the contribution of FabLab Athens (Cf HUM(erus), <a href="http://humerusrobot.wordpress.com" target="_blank">humerusrobot.wordpress.com</a>). </p>
<p>The works we presented from Tinguely v.1 course of the School of Architecture NTUA dated from 2014. P. Vasilatos, A. Stavridou, and M. Papavasileiou participate also in the 2015 course.</p>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Potlatch</title>
		<link>http://adhocracy.athens.sgt.gr/potlatch/</link>
		<comments>http://adhocracy.athens.sgt.gr/potlatch/#comments</comments>
		<pubDate>Tue, 31 Mar 2015 09:48:47 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=134</guid>
		<description><![CDATA[Nowadays, in every firm, thousands of young architects cut, paste, redraw and assemble libraries of images, entering into fast and ‘perverse’ processes of production, on which they have no control. All these scraps and pieces of drawings are often set aside or abandoned, and become an emblematic catalogue of the current condition, an &#8220;archive of [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Nowadays, in every firm, thousands of young architects cut, paste, redraw and assemble libraries of images, entering into fast and ‘perverse’ processes of production, on which they have no control. All these scraps and pieces of drawings are often set aside or abandoned, and become an emblematic catalogue of the current condition, an &#8220;archive of horrors&#8221;. Potlatch is a collective project.</p>
<p>As in the traditional Native American ceremony, all discarded materials are gathered together in a metaphorical celebration of the ritual, in which remnants of production are donated and consumed, to give them a new meaning. Potlatch is based on gift economy and proceeds without any speculative logic: the result is an infinite virtual landscape of waste, accessible to everyone. Through Potlatch, these sterile fragments are released, and the beauty of the disposition sublimates our condition of immaterial workers with thoughtful detachment. Fosbury Architecture, as recipient will limit itself to assemble a temporary composition. Playing with these scraps the aim is to build up an open source platform carrying out a huge apotropaic drawing, as an opportunity to reaffirm our fragile status. The platform is conceived as a flea market, a collective form, proliferating and permanently under construction. The Potlatch flea market it is not designed, but it is a unified whole composed by multiple individual memorabilia.</p>
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		</item>
		<item>
		<title>Metadata+</title>
		<link>http://adhocracy.athens.sgt.gr/metadata/</link>
		<comments>http://adhocracy.athens.sgt.gr/metadata/#comments</comments>
		<pubDate>Tue, 31 Mar 2015 09:39:55 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=127</guid>
		<description><![CDATA[Metadata+ is an iPhone app designed to send users a notice every time a U.S. drone strike is reported in the news. Formerly known as Drones+, it was rejected from the App Store five times due to &#8220;excessively objectionable or crude content&#8221;, before being accepted by Apple in 2014.]]></description>
				<content:encoded><![CDATA[<p>Metadata+ is an iPhone app designed to send users a notice every time a U.S. drone strike is reported in the news. Formerly known as <em>Drones+</em>, it was rejected from the App Store five times due to &#8220;excessively objectionable or crude content&#8221;, before being accepted by Apple in 2014.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Divergence</title>
		<link>http://adhocracy.athens.sgt.gr/divergence-2014-installation-and-sound-performance-with-e-textiles/</link>
		<comments>http://adhocracy.athens.sgt.gr/divergence-2014-installation-and-sound-performance-with-e-textiles/#comments</comments>
		<pubDate>Tue, 31 Mar 2015 09:17:24 +0000</pubDate>
		<dc:creator><![CDATA[Mattia Spresian]]></dc:creator>
				<category><![CDATA[DIY—DIWO]]></category>
		<category><![CDATA[Fun]]></category>
		<category><![CDATA[New Technologies]]></category>

		<guid isPermaLink="false">http://67.225.157.137/~adhocrac/?p=88</guid>
		<description><![CDATA[Installation and sound performance with e-textiles Divergence is an open-source project that deals with the question of how to create physicality in order to sense the invisible forces that surround us, through the use of wearable technology, e-textiles and creative coding. It proposes the creation of a wearable electromagnetic field detector that provides the human [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>Installation and sound performance with e-textiles</strong></p>
<p>Divergence is an open-source project that deals with the question of how to create physicality in order to sense the invisible forces that surround us, through the use of wearable technology, e-textiles and creative coding. It proposes the creation of a wearable electromagnetic field detector that provides the human body with the ability to feel and listen to the electrically and magnetically charged particles that propagate around us. The wearable detector consists of a soft-circuitry garment with an embedded microcontroller that provides haptic and sonic feedback to the user. The haptic feedback is experienced in the form of vibration patterns and the sonic feedback in the form of tones that variate in pitch depending on the strength of the signal. The detection takes place through two embroidered coils that are incorporated in the wrists of the garment and serve as antennas for sensing EM fields. The project’s schematics and code are available in <em>Github</em>, accessible by anyone interested in creating their own version of an EMF detector wearable.</p>
<p>Divergence forms part of <em>The Soft</em>, <em>The Hard and The Wet performances cycle</em> curated by Shu Lea Cheang that took place at Linz in Austria during <em>Ars Electronica</em> 2014.</p>
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